It was in the Orpheum Theatre, of Oakland, California; and Harley Kennan was in the act of reaching under his seat for his hat, when his wife said:

"Why, this isn't the interval. There's one more turn yet."

"A dog turn," he answered, and thereby explained; for it was his practice to leave a theatre during the period of the performance of an animal-act.

Villa Kennan glanced hastily at the programme.

"Of course," she said, then added: "But it's a singing dog. A dog Caruso. And it points out that there is no one on the stage with the dog. Let us stay for once, and see how he compares with Jerry."

"Some poor brute tormented into howling," Harley grumbled.

"But it has the stage to itself," Villa urged. "Besides, if it is painful, then we can go out. I'll go out with you. But I just would like to see how much better Jerry sings than does he. And it says an Irish terrier, too."

So Harley Kennan remained. The two burnt-cork comedians finished their turn and their three encores, and the curtain behind them went up on a full set of an empty stage. A rough-coated Irish terrier entered at a sedate walk, sedately walked forward to the centre, nearly to the footlights, and faced the leader of the orchestra. As the programme had stated, he had the stage to himself